Archive for February, 2021
Wrote a blog post on Windows persistence using DLL Search Order Hijacking. Hopefully you find it useful or interesting.
February brings the annual celebration of the lunar new year—welcome to the Year of the (Metal) Ox—and with it two new action-packed films from China and South Korea, respectively.
Directed by Lu Yang, A Writer's Odyssey—currently playing in select theaters—centers on a man searching for his lost daughter, hired to assassinate a novelist whose fantasy work-in-progress has begun to shape events in the real world. Over on Netflix, Space Sweepers is being touted as the first Korean bona fide blockbuster, focusing on the adventures of the plucky crew aboard a space junk salvage vessel who must save the Earth from total destruction. Together they make for an action packed, fantasy/sci-fi weekend double feature.
(Some spoilers below for both films, but no major reveals.)
The 12.9-inch 2020 iPad Pro with the Smart Keyboard and Magic Trackpad peripherals. [credit: Samuel Axon ]
Rumor has it a new iPad Pro is around the corner, which means Apple is about to make another big pitch for the iPad as a productivity and content-creation device.
But while we've found in our iPadOS reviews that Apple has done a marvelous job with the big-picture changes to the OS aimed at making it real-work-friendly, there are still a bunch of minor annoyances or "nope, you can't do that" limitations that sabotage Apple's intentions.
For that reason, it makes sense to preempt that upcoming marketing push with a few key caveats—especially since Apple likely won't announce a major iPadOS software update alongside new hardware in March. Significant new OS changes probably won't be discussed until the company's developer conference in June, and said updates probably won't reach the public until September or October.
Art inspired by the Drexciyan mythos, as provided by the artist from his book 1989–2014: 25 Years of Techno Art. [credit: Abdul Qadim Haqq ]
“ARE DREXCIYANS WATER-BREATHING, AQUATICALLY MUTATED DESCENDANTS OF THOSE UNFORTUNATE VICTIMS OF HUMAN GREED? ... DID THEY MIGRATE FROM THE GULF OF MEXICO TO THE MISSISSIPPI RIVER BASIN AND ON TO THE GREAT LAKES OF MICHIGAN? DO THEY WALK AMONG US? ARE THEY MORE ADVANCED THAN US, AND WHY DO THEY MAKE THEIR STRANGE MUSIC? WHAT IS THEIR QUEST?”
With those all-caps words, musician and writer James Stinson wrote the constitution for the mythic, rhythmic nation of Drexciya—a world that he and partner Gerald Donald created in the liner notes of their experimental music project. Their combined work, in the form of five EPs of cutting-edge techno music, did not necessarily sound so politically or culturally charged. Because Stinson and Donald did not participate in interviews or widely tour in support of their albums, Drexciya's listeners were left to look at the stories and questions that covered the liner notes and artwork printed on the releases' vinyl and CD versions.
Should you merely pull up Drexciya on your favorite streaming service, you won't hear those messages in the beats. So to understand this innovative group, it's crucial to ask the above questions about the fictional Drexciyan quest. And in asking them, Stinson blurred a line between fiction and Black reality—and spoke to a quest of his own.
In recent months, the audio-based social media app Clubhouse has emerged as Silicon Valley's latest disruptive darling. The format feels familiar: part Twitter, part Facebook Live, part talking on the phone. But as Clubhouse continues to expand, its security and privacy failings have come under increased scrutiny—and left the company scrambling to correct problems and manage expectations.
Clubhouse, still in beta and available only on iOS, offers its users “rooms” that are essentially group audio chats. They can also be set as public addresses or panel discussions where some users are “speakers” and the rest are audience members. The platform reportedly has over 10 million users and is valued at $1 billion. Since last year it has been an invite-only haven for Silicon Valley elite and celebrities, including an Elon Musk appearance earlier this month. But the company has struggled both with concrete security issues and more ephemeral questions around how much privacy its users should expect.
“With smaller, newer social media platforms we should be on our guard about our data, especially when they go through huge growth it tests a lot of the controls,” says security researcher Robert Potter. “Things you might have gotten away with with only 100,000 people on the platform—you increase those numbers tenfold and the level of exposure goes up, the threat goes up, the number of people probing your platform goes up.”